El arte del olvido

Dos veces se ha cruzado ya con la cuestión de la muerte esta reflexión compartida sobre cómo la tecnología digital está alterando nuestros modos de vivir, de ser y de comprendernos.

Hemos rememorado la voz aciaga del último Nexus 6 anunciándonos que su final es también el de cosas que ni siquiera conocemos: “Yo he visto cosas que vosotros jamas creeríais: naves en llamas mas allá de Orión, rayos-C brillar en la oscuridad cerca de la puerta de Tannhäuser. Todos esos recuerdos se perderán en el tiempo, como lágrimas en la lluvia. Es hora de morir”.


fayoum.jpg

Hemos recordado la “llamada muda” de los difuntos de Fayum: sus ojos clavados en nosotros desde los retratos que decoraban sus sarcófagos, pues, según relatara Herodoto, cuando alguien fallecía “los familiares se quedan con el cuerpo y encargan un cofre de madera, tallado a semejanza de la forma humana, en el que lo meten” y al que adhieren un retrato, luego “conservan ese valioso cofre en una cámara funeraria, donde lo colocan en posición vertical, pegado a la pared”.

En el noviembre de 2019 imaginado por Ridley Scott y en la provincia romana de Egipto, entre el siglo I y el IV de nuestra era, la angustia resulta ser la misma: que nuestros recuerdos nos sobrevivan en la memoria de otros.

cargo-containers.jpgParece que no somos los únicos en barruntar que la digitalización del yo cambiará no sólo nuestra forma de vivir, sino también nuestra forma de morir. El proyecto Mission Eternity Sarcophagus, de etoy.CORPORATION, se ha alzado ganador de VIDA 10.0, la X Edición del Premio Internacional de Arte y Vida Artificial convocado por la Fundación Telefónica. Mission Eternity Sarcophagus no es sino “un sepulcro móvil”, del tamaño de un contenedor de carga pero con el interior tapizado de pantallas LED, “que contiene y muestra retratos interactivos de aquellos que desean que sus memorias sean conservadas digitalmente”. Por “retratos interactivos” se entiende una amalgama de “textos, entrevistas, fotografías familiares, etc”. provenientes de los ordenadores interconectados de las personas que forman la red social del difunto, a las que el proyecto bautiza, entre la trascendencia y la ironía, como “Mission Eternity Angels”.

sarcophagus-2.jpg sarcophagus-1.jpg

borges.jpgPero la hipermnesia que encierra para la vida la digitalización del yo impregnaría así también la muerte. Recordando la atormentada condición de Funes el Memorioso, el “vaciadero de basuras” de su memoria, nos hemos preguntado si nos será grata esa proliferación de recuerdos, si querremos hacerlos nuestros o más bien desearemos que nuestras prótesis digitales nos ayuden también, a veces, a olvidar, a desprendernos, como en las hogueras de la noche de San Juan, de lo que ya no deseamos en nuestra vida. ¿Era en verdad un don la memoria total cuyo secreto buscaban Raimundo Lulio, Giordano Bruno, Giulio Camilo o el propio Leibniz, o era una maldición? La misma pregunta –claro- vale para esa vida después de la muerte que ya los héroes homéricoshomero.jpg anhelaban: la pervivencia del recuerdo, que no era para ellos sino la gloria –el único modo de salvar la penosa inmortalidad de las almas en el reino de Hades, desprovistas de todo recuerdo o pasión. La misma pregunta: lo deseamos porque nos falta, pero, si de verdad pudiéramos tenerlo, ¿seguiríamos deseándolo? ¿Querríamos de todo corazón que nuestros seres queridos no nos olvidaran? Al fin y al cabo, ya decía el propio Borges que “no basta ser valiente para aprender el arte del olvido. Un símbolo, una rosa te desgarra…”. ¿Querremos rituales funerarios digitalizados que entorpezcan nuestra desaparición definitiva, para siempre, “como lágrimas en la lluvia”?

iliada.jpg

 

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61 Responses to “El arte del olvido”

  1. Filmstar Says:

    Qué reflexión más bonita, profesor… ¡Lástima que su pregunta final sólo pueda encontrar respuesta con el paso del tiempo! Y mucho me temo que si ésta es negativa, entonces resulte demasiado tarde para dar marcha atrás.

  2. Juan Says:

    Gracias, Filmstar. Tantas veces nos hemos equivocado cuando nos creíamos seguros de que nuestras reflexiones nos mostraban con nitidez el futuro que, sí, tienes razón: sólo el paso del tiempo aclarará estas dudas. Por difícil que resulte imaginarlo, es posible que las tecnologías digitales lleguen a cambiar nuestra muerte más profundamente aun de lo que están cambiando nuestra vida. O quizá, al contrario, ésa sea su frontera.

  3. Irene Says:

    ¿Y los nacimientos digitales?. Los vídeos, fotos y todo el material de un sujeto desde el nacimiento. ¿Sabías que para el tratamiento del autismo se recurre a grabaciones familiares en vídeo desde los primeros días de vida?.

  4. Juan Says:

    No tenía ni idea, Irene, pero me parece un contrapunto bellísimo a esa idea de la digitalización de la muerte: la digitalización del nacimiento puede ayudar a construir un yo, y esa ayuda puede ser especialmente valiosa en los casos en que la construcción de la identidad (y de la alteridad, claro) está gravemente amenazada.

    Valdría la pena investigar por ese camino, ¿no? ¿Cómo podría nuestro yo digital mejorar la eficacia de esas técnicas de abordaje del autismo?

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  35. Cookingindahouse Says:

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